April 18, 2013
FOR IMMEDIATE RELEASE
San Francisco, CA–The Artist in Residence Program at Recology San Francisco will host an exhibition and reception for current artists-in-residence Benjamin Cowden, Ian Treasure, and student artist Hannah Quinn on Friday, May 17, from 5-9pm and Saturday, May 18, from 1-3pm. Additional viewing hours will be held on Tuesday, May 21, from 5-7pm. Please note the new Saturday hours and additional Tuesday viewing time. Music will be provided Friday night by dj Joshua Pieper and on Saturday The Insufferables will perform. This exhibition will be the culmination of four months of work by the artists who have scavenged materials from the dump to make art and promote recycling and reuse.
Benjamin Cowden: Lunar Cassowaries
The cassowary, a large flightless bird, serves as a point of reference for Benjamin Cowden’s series of kinetic sculptures. Cowden’s works explore motion, flight, and wind-propulsion via unlikely combinations of found materials. Cowden has modified kites, umbrellas, and wind sails to make wing-like forms, but much like the cassowary, these winged creatures don’t leave the ground. They do, however, move or respond to human interaction—often in surprising ways. Cowden has harvested motion sensors from outdoor lights and novelty candles, and in combination with windshield wiper motors, tent poles, fishing reel gears and his own skillfully designed circuits, has created works that not only use, but generate energy.
Cowden explains, “In a society so focused on energy consumption, it seems especially fitting to re-purpose the detritus of that consumption not only into works of art, but into devices which in turn create their own energy.” Cowden’s sculptures also prompt us to think about our relationship to the natural world. The crafting of bird-like forms from the waste stream in turn poses questions about the waste stream’s effects on actual birds and other animals. Assembled together his sculptures appear like residents of a sanctuary for the rarest and most unusual of creatures. But unlike the cassowaries which are truly endangered and whose future is uncertain, these mechanical beings made with objects from the waste stream are here to stay.
Cowden received his MFA in metalsmithing from Southern Illinois University at Carbondate. He is an instructor at the Crucible in Oakland and has been an artist-in-residence at the Appalachian Center for Crafts in Cookeville, Tennessee and at Monochrom in Vienna, Austria.
Ian Treasure: Road to Nowhere
Commonplace symbols and objects so ubiquitous in our lives that we hardly give them a second thought are the subject of Ian Treasure’s work. In his sculptures and installations he employs repetitive forms and modern mechanics in tandem with the playful use of time and duration. Works have an anthropomorphic quality, demanding our attention with sounds and movements filled with personality. Humor and surprise are key components, but works also have an element of poignancy and provide space for reflection on the complexities, as well as absurdities, of life.
In Treasure’s Road to Nowhere a small toy taxicab travels on a never-ending journey. Less a feel good road trip than an existential expedition, the taxi rides along a conveyer belt highway, following an infinite dotted line. Unlike a car, symbolic of individual exploration and freedom, the taxicab speaks to relinquishing or losing control of the journey—be it in our own lives or on a larger, societal level. When placed against the backdrop of the dump, it can serve as a metaphor for loss of control over our consumption and its environmental implications. Treasure’s other works include a group of trouble-maker school desks and a liberated drum snare.
Treasure received an MFA from the San Francisco Art Institute and has been an artist-in-residence at the Djarassi Residency Artist Program in Woodside, California. He has participated in exhibitions in London, at the Pasadena Museum of California Art, and at the San Jose Institute of Contemporary Art in San Jose, California.
Hannah Quinn: Beyond the Bower
During her residency Hannah Quinn has created functional works that reference the traditions of craftspeople and home hobbyists, while also exploring utilitarian forms. Quinn has scavenged wood of all kinds—from a skateboard maker’s scraps to legs pulled from old tables and chairs—to play with the shapes of benches, stools, ladders and other simple, yet versatile objects.
A homemade stool has served as the model for Quinn’s own series of stools. Years of wear and repair visible in the old stool point to a time when furniture and household items were not disposable commodities, and illustrate how this basic object functioned within the life of those who used it. Quinn’s stools—50 identical forms out of construction-grade lumber scraps— illustrate the abundances of modern life and pose questions about mass-production vs. the homemade. Her stools also pay tribute to the original object’s maker and caretakers, and act as blank canvases for future lifetimes of use and repair.
Quinn, who is an undergraduate studying furniture design at the California College of the Arts, identifies one of the motivations behind her work as the desire to create objects that promote human interaction. Quinn will also exhibit small found items as scientific specimens, highlighting beloved tools and oddball objects found in the discards from home and professional workshops.
The Artist in Residence Program at Recology San Francisco is a one-of-a-kind program established in 1990 to encourage the conservation of natural resources and instill a greater appreciation for the environment and art in children and adults. Artists work for four months in studio space on site, use materials recovered from the Public Disposal and Recycling Area, and speak to students and the general public. Over ninety-five professional Bay Area artists have completed residencies. Applications are accepted annually in August.
Reception-Friday, May 17, 2013, 5-9pm
Reception-Saturday, May 18, 2013, 1-3pm
Additional viewing hours-Tuesday, May 21, 2013, 5-7pm
Art Studio, 503 Tunnel Avenue and Environmental Learning Center, 401 Tunnel Avenue, San Francisco, CA
Admission is free and open to the public, all ages welcome, wheelchair accessible.